A Joyful Triumph: Paddington Takes the Stage
Paddington the Musical has arrived in London as a joyful, big-hearted triumph that exceeds every expectation of a film-to-stage adaptation. Debuting at the Savoy Theatre, the production proves that commercial potential doesn’t have to overshadow creativity, delivering a show bursting with warmth, comedy, and technical brilliance.
Director Luke Sheppard, known for Starlight Express and &Juliet, fills the stage with seamless motion and inventive spectacle. Within the first twenty minutes alone, the audience is treated to smoke, fire, collapsing furniture, rain effects, and even an eruption of whipped cream. Despite its multimillion-pound scale, the musical maintains a cosy, intimate atmosphere full of playful theatricality.
The story unfolds inside Mr Gruber’s shop of curiosities, where audiences are introduced to Paddington—realised through an extraordinary blend of performance and animatronics. Writer Jessica Swale follows the narrative arc of the beloved 2014 film but expands it with fresh humour, richer characterisation, and theatrical charm.
A major highlight is Tom Fletcher’s pop-driven score, which delivers emotional resonance and irresistible energy. From villain Millicent’s gleefully wicked “I want pretty little dead things” to Mrs Brown’s heartfelt reflections on family, the songs strike an earnest, uncynical tone that fits the production’s spirit. Show-stopping numbers include a Busby Berkeley-inspired marmalade fantasia and a hilariously over-the-top routine from the Geographers’ Guild.
Paddington himself is a standout achievement. Designed by Tahra Zafar, the bear is brought to life through puppetry performer Arti Shah and the gentle voice work of James Hameed, creating a character both adorable and uncannily expressive. Critics have already compared him to stage icons such as the War Horse puppets and Wicked’s legendary “Defying Gravity” dress.
The supporting cast brings vibrant personality to every moment. Bonnie Langford shines as Mrs Bird, Tom Edden makes a perfect Mr Curry, and Amy Booth-Steel delivers some of the show’s biggest laughs. Victoria Hamilton-Barritt relishes the role of villain Millicent, whose outrageous entrance involving a crossbow sets the tone for the show’s mischievous humour.
While the musical gently touches on Paddington’s immigrant story and London’s culture of inclusivity, its heart lies firmly in celebrating kindness, family, and fun. Full of silliness, warmth, and joy, Paddington the Musical emerges as one of the most delightful theatrical creations in recent years — a bear, once again, well looked after.
